![]() This five-day, beautifully paced workshop will allow participants to delve deeply into this rich traditional art form, offering time to begin to develop the sensitivity to materials that is essential to using the technique successfully. Like many art forms, these can take years to truly master but can draw you in with your first attempt. The way that waterborne pigments behave on a piece of wood, the intricacies of carving, knowing exactly how much water is needed to create a strong impression, discovering how various papers receive color, and learning myriad special techniques that were developed over many centuries. It’s nontoxic, fume free, easy to clean up, and easy to put down and pick back up.īut these simple tools and practices belie the complexities of the process. It’s low tech, portable, and can be practiced at home or almost anywhere. Complexity comes by way of diverse tonal application of colors and impressionistic printing. A knife, some wood, a few tubes of paint, a stiff brush, some paper, water, and a tool for hand burnishing is all that’s needed to make a mokuhanga print. The simplicity lies in the ease with which one can get create an image. ![]() The Japanese method of multicolor woodblock printing (mokuhanga), with its use of brushes and watercolors and hand pressure, is both simple and complex. The faculty will offer alternative assignments if conditions or illness prevent students from accessing our synchronous meetings, which will allow students to earn comparable credit.Why Mokuhanga – the big points: requires very small workspace, small select number of tools, prints with a baren, uses replenishable wood products, needs none of the intense or stationary equipment of western printmaking – including a printing press, can be editioned or printed to create endless interpretations, offers control over color and tones, capable of delicate detail, works equally well for small and large prints, suitable to a wide range of papers, while a historic process it easily adapts to contemporary statement, might just be the most environmentally friendly printmaking process. are optional and additional that may provide a means of contemporary exploration of the traditional Japanese woodblock printing techniques to define a unique and innovative style of expression! Other materials such as watercolor, watercolor pencils, color pencils, etc. This will include traditional rice paper for printing, basic carving tools and sharpening stone, bamboo baren, brushes, palette, nori (rice paste), and black Sumi ink. Students will be required to purchase a basic supply kit that will be theirs to keep. Students should be prepared to invest 8-10 hours a week to complete all projects outside of class sessions. Students will learn wood carving, inking, and hand-printing with water-based ink from a simple home studio that only requires a table and water for clean-up. Through step-by-step demonstrations and video tutorials, students will be expected to take notes and work a-synchronistically (independent) during the week. ![]() Working in a collaborative manner, there will be opportunities to hold class critique sessions for peer review and also post to a class blog in Canvas. Regularly scheduled synchronous (together) virtual meetings will take place once a week. A computer and access to the internet are preferred but not required, a phone may be used to connect during class sessions, all assignments must be submitted for review at the end of the session attended. Assignments are supportive of the beginner to advanced student.Īll work will be conducted remotely, using Canvas and Zoom. This course is available for a full 10-week session earning 8 credits, or an introductory first 5-week session earning 4 credits. ![]() In this online-based summer program, traditional methods of Eastern printmaking will be explored through a Western lens. Subject matter will be open for the student to decide, and the technical process will be influenced by the historical practices of Japanese printmaking. Through investigation of printing techniques dating back to the Edo period (1603-1868) for the style known as Ukiyo-e, this class will explore and demonstrate a close appreciation of nature in the practice of art-making. Art and nature come together in this hands-on exploration of Mokuhanga printmaking, also known as Japanese woodblock printing. ![]()
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